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Tattooed Tarpon in Boca Grande

In 2017, I created the "Johnson Shoals" tarpon mount for a Bonefish & Tarpon Trust auction in Boca Grande. King Sailfish supplied the fish mount for this project. The idea for the painting came to me from the many times I have drifted in the Pass, watching the waves and the shadows dancing beneath them. The shoals are on the south side of the pass, so when you look back across it you can see the Boca Grande lighthouse. From this perspective, the Gulf waters are to the "left".  The fundraiser was a success and one of Boca Grande's own purchased the fish to hang in a local office building. Artist Kelly Reark www.TattooedTarpon.com

ROFFS Artist of the Year 2017-2018

© 2017 Kelly Reark,  Sepia Sailfish . Acrylic on fiberglass. Kelly Reark Chosen as 2017-2018 ROFFS ™  Artist of the Year In a press release on November 16, the announcement was made that I won the Artist of the Year title at ROFFS™. What an honor to be among this elite group of artists! ROFFS™ annually selects an artist to feature as "Artist of the Year." The purpose of this honor is to develop a mutually beneficial relationship with artists in the marine community. Artists are selected based on a variety of objective and subjective criteria. ROFFS™ promotes the Artist of the Year and does not get a commission or any direct financial benefit from this. They just love really great marine art! Previous recipients have been Don Ray, Steve Goione, Carey Chen, Kevin Brant, Barry Barnett, Daniel Jean-Baptiste, Mark Ray, Tony Ludovico, Judy Shillingburg, Larry Rackley, David Mellor, Dustin Cole, Dennis Friel and Adrian Gray. Click here to go  to the ROFF...

Bahamas Royalty

© 2017 Kelly Reark,  Bahamas Royalty   Permit. Acrylic on fiberglass fish mount (34" Permit) The idea for Bahamas Royalty came through looking at photos of my last trip to Marsh Harbour. A queen triggerfish, queen conch, queen angelfish, silver king ... so many royally beautiful fish from our daily dive! Having a marine biology background, I enjoy the research involved in preparing a work. I look at the entire ecology of the main subject: the habitat, lighting, supportive species, food source and biology. Days of sketching later, I settle on my idea and got to work with the paint. My process is to sketch multiple views of each creature or landmark. Then I use transparent paper to make an outline and work out the best placement on the fish mount. Many of my sketches and images are saved for another project because my ideas are usually too many for one fish mount. The next step is to antique the areas that I want to give that "old paper" look and to pai...